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British Art Studies is an innovative space for new peer-reviewed scholarship on all aspects of British art.

Issue 18 – November 2020

Sculpture. The two halves of a round dining room table have been pulled apart. The leaves that would expand its length sit, partially unfolded or totally folded up, in the gap. Ten pairs of dining room legs, all with clawed feet, hold the table up.
Sonia E. Barrett, Table No. 6 (dithered detail), 2013, wood and metal. Digital image courtesy of Bruno Weiss.
ARTICLE
Women in Fur: Empire, Power, and Play in a Victorian Photography Album
By Sarah Parsons
ARTICLE
The Lost Cause of British Constructionism: A Two-Act Tragedy
By Sam Gathercole
ARTICLE
Aubrey Beardsley in the Russian “World of Art”
Bu Sasha Dovzhyk
ARTICLE
Making a Case: Daguerreotypes
By Steve Edwards
CONVERSATION PIECE
The Arts, Environmental Justice, and the Ecological Crisis
Convened by Sria Chatterjee
ARTIST COLLABORATION
Climate and Culture Beyond Borders
By Worm: art + ecology
ARTIST COLLABORATION
Moss Rain Paradox: Refocusing Climate Framings
By Angela YT Chan
COVER COLLABORATION
Beyond Interspecies Objectification
By Sonia E. Barrett
ARTIST COLLABORATION
Wang Chau Village: (Non-)Indigenous Wisdom, Amidst Eviction
By Michael Leung
ARTIST COLLABORATION
DIÁSPORAS QUE LUCHAN: (Diasporas that Fight)
By The Bonita Chola (aka Angela Camacho)
ARTIST COLLABORATION
The Ecological Imperative: Stopping Ecocide
By INTERPRT